Daniel Pommereulle passed away in December 2003, leaving a very diverse and complexe but also peculiar and premonitory work. According to Alain Jouffroy's phrase, he was associated to the "Objectors" (les "Objecteurs"). Despite some important exhibitions (Fin de siècle presented in 1975 at National Center for Contemporary Art - Georges Pompidou, or the retrospective exhibitions at the Dole and Belfort museums in 1991) and a growing aura, this work, certainly one of the most importants of the second half of the 20th century in France, remains unknown and secret. From the 1980's to the 1990's he concentrates on the transparency theme with layouts of glass, paper and steel. As an actor, he started with Eric Rohmer's La Collectionneuse in 1967 and played in a dozen of movies, among which François Truffau's La mariée était en noir ( The Bride Wore Black), Jean-Luc Godard's Week-End and Les Id…
