François Miron (born 1962) is a French-Canadian experimental filmmaker also working in documentary and fiction. He obtained a BFA from Concordia University in 1987 and an MFA from The School of the Art Institute of Chicago in 1990 (he received a full merit scholarship). Miron started making Super-8 Collage films in 1982, inspired by the cut-up technique William S. Burroughs, soon shifting to 16mm and 35mm. His early body of work consists of found footage manipulation through optical printing and abstract cinematography of industrial landscapes. His abstract work has lately been shifting into more "traditional" narrative cinema and documentary, although a strong psychedelic and surreal influence still is present. Miron still makes short experimental films while working on his feature films or in between them. Most of his films have been exhibited worldwide and have won several awards.
