Adrian Younge was known foremost as an entertainment law professor when he provided the score for the blaxploitation homage Black Dynamite (2009). As noted on the front sleeve of the release, Younge was the composer and producer, yet he also performed most of the music -- an acid-tinged hybrid of soul and funk -- on well over a dozen instruments, assisted by only a handful of vocalists and ancillary musicians, and also edited the film itself. Younge reached that point after a 13-year process that entailed immersing himself in hip-hop production, deepening a scholarly appreciation for a broad spectrum of late-'60s and early-'70s sounds, teaching himself to play a multitude of instruments, and learning the ins and outs of recording in the analog domain. Once the effect of Black Dynamite took hold, Younge's grip tightened with conceptual solo projects ranging from the dark psychedelic soul…
