For over five decades, experimental filmmaker Lutz Mommartz shaped the German film and art scene with a radically different understanding of film. Since the 1960s, he was active in Düsseldorf as a filmmaker and artist, and his work raised key questions about the authenticity of film and its relationship with the audience. He achieved his international breakthrough in 1967 at the Knokke Festival, when his film "Self-Shots" won an award. Parallel to his work as a municipal official, he was a motivator in the Düsseldorf art scene, for example, as co-founder of the legendary artists' bar Creamcheese, and was represented in numerous exhibitions such as documenta 4 (with his "Zweileinwandkino" (two-screen cinema) in 1968) and STRATEGY: GET ARTS (Edinburgh, 1970). He received the Silver Federal Film Prize in 1977 for "As if by Beckett" and in 1978 for "The Garden of Eden" Mommartz stood for "t…
